Marta Anglada’s artistic universe is one of raw spontaneity, where the unconscious takes the lead and creative intuition reigns. Born in Burgos (Spain) in 1983 and now based in Toulouse, she has carved out a unique path in contemporary art, blending painting, collage, ceramics, and even street art. With a background in Art History from Zaragoza and a degree in Plastic Arts from Toulouse, Anglada embraces improvisation and chance as the driving forces behind her work. For her, the canvas is not a space for preconceived ideas but a playground where forms and figures emerge organically, giving substance to thought itself.
Her paintings oscillate between abstraction and an unintended figuration, where undefined beings seem to surface from layers of colour and geometric structures. These figures, neither fully formed nor deliberately placed, act as silent messengers—spectral presences that invite interpretation. Are they guardians or intruders? Do they reflect inner forces or external energies? The artist embraces this ambiguity, allowing the viewer to bring their own meaning to each composition. In this sense, Anglada’s practice is almost ritualistic—an invocation of benevolent forces that animate her work and extend their presence to the spectator.
With over a hundred exhibitions in France and beyond, as well as several public commissions, Marta Anglada continues to push the boundaries of contemporary painting. Her work is not merely about creating images; it is an exploration of perception, intuition, and the unseen forces that shape our collective consciousness.
José Berrocoso, our Lifestyle Editor, sits down with Marta Anglada to delve into her artistic journey and creative vision.
Your work is deeply rooted in the unconscious, improvisation, and chance. How do these elements shape the final outcome of your pieces?
The unconscious, improvisation, and chance play pivotal roles in shaping the final outcome of my pieces. These elements allow my work to evolve organically and intuitively, often leading to unexpected and transformative results. By starting without preconceived ideas, I can tap into a deeper, more instinctual part of my creativity, allowing the artwork to guide me rather than imposing strict control over the process.
Improvisation keeps my creative flow dynamic and fluid, encouraging experimentation and embracing the beauty of mistakes and serendipity. Chance introduces an element of surprise, making each piece unique and allowing for spontaneous discoveries. This approach not only adds depth and complexity to my work but also keeps it fresh and engaging, both for me as the artist and for the viewers who experience it.
You begin painting with no preconceived idea and let the idea emerge through the process. Can you describe a moment when this spontaneous approach led to an unexpected or transformative result?
Absolutely, there have been many moments where this spontaneous approach has led to unexpected and transformative results. One that stands out occurred during the creation of a large mural in a public space. Initially, I had no specific concept in mind and simply allowed the colors and shapes to flow naturally. As I worked, an intricate pattern began to emerge, resembling a labyrinth.
What was truly remarkable was that halfway through the process, I noticed that the labyrinth was forming a pathway that led to a central figure—a mythical creature that I had never consciously intended to depict. This figure seemed to resonate with passersby, evoking a sense of mystery and wonder.
Your creations often feature enigmatic beings that seem to carry hidden messages. Do you see them as guardians, storytellers, or reflections of the human psyche?
The enigmatic beings in my artwork can be seen as a combination of all three: guardians, storytellers, and reflections of the human psyche.
As guardians, they embody protective energies and serve as watchful spirits that guide and support the viewer. They act as a comforting presence, offering a sense of security and well-being.
As storytellers, these beings narrate tales from the depths of the unconscious. They reveal fragments of hidden stories and archetypal myths, inviting viewers to embark on a journey of exploration and discovery. Each figure holds a narrative waiting to be uncovered, encouraging a dialogue between the art and the observer.
As reflections of the human psyche, they mirror the complexities and nuances of our inner world. They represent the diverse facets of our emotions, thoughts, and dreams. These beings serve as a visual manifestation of our subconscious, prompting introspection and self-awareness.
Ultimately, the interpretation of these beings is open to the viewer’s personal perspective and imagination. They are multi-dimensional and fluid, allowing each person to find their unique connection and meaning within the artwork.
You have previously reinterpreted the Marseille Tarot, and now you’re working on a black-and-white oracle. What draws you to divinatory symbolism, and how does it influence your artistic vision?
I am deeply drawn to divinatory symbolism because it allows me to explore the realms of the unknown and the mystical. These symbols hold a rich history and cultural significance that transcends time, providing a universal language that speaks to the subconscious mind.
Working with divinatory imagery like the Marseille Tarot and now the black-and-white oracle, I can tap into ancient archetypes and esoteric wisdom. This not only enriches my artistic vision but also connects my work to a broader human experience.
The process of creating these pieces becomes a journey of discovery and introspection. Each symbol, each card, carries layers of meaning and invites the viewer to delve deeper into their own psyche. This symbolism serves as a bridge between the conscious and the unconscious, allowing me to convey complex emotions and ideas in a visual, intuitive way.
Overall, divinatory symbolism influences my artistic vision by grounding it in a tradition that is both mystical and deeply human, encouraging viewers to reflect, question, and find their own meanings within the artwork.
Your upcoming oracle project consists of 39 illustrations. What emotions or messages do you hope the viewer will receive from interacting with these images?
Through the 39 illustrations of my upcoming oracle project, I hope to evoke a wide range of emotions and messages that resonate deeply with the viewers. Here are a few key elements I aim to convey:
1.Introspection: I want the images to encourage viewers to look inward, reflecting on their own thoughts, emotions, and experiences.
2.Mystery and Wonder: Each illustration is designed to invite curiosity and a sense of wonder, prompting viewers to explore the hidden meanings and symbols within the artwork.
3.Connection: The oracle aims to foster a sense of connection, both with oneself and with the collective unconscious. It is about bridging the gap between the individual and the universal, creating a shared experience.
4.Empowerment: I hope the images inspire a sense of empowerment, encouraging viewers to trust their intuition and inner wisdom.
5.Transformation: The oracle is intended to be a tool for personal growth and transformation, helping viewers to navigate their life’s journey with greater clarity and insight.
6.Balance and Harmony: Through the interplay of black and white, the illustrations will emphasize the importance of balance and harmony, both within oneself and in the external world.
Overall, I aspire for each illustration to be a catalyst for introspection, inspiration, and a deeper understanding of oneself and the world around us.
Do you believe your art has a mystical or spiritual dimension? If so, how do you channel these energies into your creative process?
Yes, I believe my art has a mystical and spiritual dimension. When creating, I enter a meditative state that allows me to connect with deeper, unseen energies. This intuitive process lets symbols and patterns emerge naturally, infusing my works with a sense of the sacred and mysterious. My goal is to create art that resonates on a spiritual level, inviting viewers to reflect and find their own connection to the mystery of existence.
Your last major solo exhibition took place in Hangzhou, China. How was your work received there, and did the cultural exchange impact your perspective as an artist?
My last major solo exhibition in Hangzhou, China, was an enriching experience. The reception was overwhelmingly positive, with visitors expressing deep appreciation for the intricate details and the emotional depth of my work.
You have exhibited in nearly a hundred shows worldwide. Which exhibition, so far, has been the most pivotal in your career, and why?
Although I’ve exhibited in nearly a hundred shows worldwide, what I’ve enjoyed most is painting murals on the street due to the interaction with the public. The spontaneous feedback and the direct connection with the community are truly rewarding. I love to think that the best is yet to come.
You’ve painted murals in multiple public spaces and are preparing a new intervention on a public building. How does working on the street change your creative process compared to working in the studio?
Working on the street significantly changes my creative process compared to working in the studio. One of the main differences is the interaction with the public. When painting murals, I receive immediate feedback and reactions from passersby, which can be incredibly inspiring and motivating. This interaction creates a dynamic and spontaneous environment where the energy of the community influences my work.
In the studio, I have more control over the environment and can work in solitude, allowing for deeper introspection and experimentation. However, working on the street brings a sense of connection and engagement that is unique to public art.
Street art makes your work accessible to a wider audience. Have you had any memorable encounters or reactions from passersby that have stayed with you?
One of the most memorable encounters happened while I was painting a mural next to an association for children with disabilities. The children helped me paint, and seeing their happiness brought me immense joy.
You are awaiting confirmation for an artist residency on the French Riviera. How does the experience of being in a new environment influence your artistic production?
Being in a new environment like the French Riviera brings fresh inspiration and perspectives. The scenery, light, and cultural heritage stimulate my creativity. Additionally, connecting with a community of artists enriches the experience.
If you could create an immersive experience where viewers could step inside your world, what would it look like?
If I could create an immersive experience, it would be an exhibition that represents my entire artistic universe over the years. Imagine a space filled with murals and ceramics, showcasing a synthesis of all my work—collage, painting, illustration, and volumes. Visitors would be able to walk through this vibrant tapestry of creativity, experiencing the evolution and diversity of my artistic journey.
